cyphomandra: fluffy snowy mountains (painting) (snowcone)
Over a month's worth.

Finished:

Tana French, The Trespasser. I liked this, although still not as much as The Secret Place. It follows Antoinette Conway from that book, investigating what appears to be an open and shut case of murder of a young woman and dealing with the fact that the rest of the squad apparently dislike her to the point of sabotage. It does not have a moment when Antoinette says, "This was the moment when I had the chance to do something different, but instead I stuffed everything up," (or similar) and it has a happyish ending, and there are lots of bits I liked about it (the resolution of the storyline with her father), but the case itself didn't grab me on this one.

Dick Francis, Comeback. Solidly middle-tier Francis in which a diplomat between posts finds himself investigating sabotage at a veterinary practice. The main character spent time in the town as a child and has his own memories of people/places, but because his name is different and he is now an adult there is an element of working undercover, which I liked, and there’s a vivid and startling image when the sabotage turns to murder, but the rest of this is fairly forgettable (the love interest is appealing as a character but the romance works even less well than usual).

A Notable Woman: the romantic journals of Jean Lucey Pratt, edited Simon Garfield. Mentioned elsewhere. This was great. I put heaps of little bookmarks in when reading, but had no time to go back through it; basically, though, an excellent example of illustrating the general through the particularly, but also an excellent example of a particular experience - that of a single woman - that is all too often overlooked. You do get a sense of her crystallising in her 40s; the journals are shorter, her attitudes less flexible, and I do think about this as I'm in the same decade. I think it's common but not inevitable; Doris Lessing's memoirs don't do this for one, although I'm not keen to emulate her in many other respects.

Matthew Reilly, The Four Legendary Kingdoms. Latest in the series that started with Seven Ancient Wonders and is counting down, this one has Jack West Jr kidnapped to participate in the deadly games of a secret underworld kingdom that will serve the dual purposes of signalling to extraterrestrial intelligences that Earth's existence should continue and also granting power to one of the secret kingdoms that rule the world. Also, Scarecrow (from Reilly's other series) shows up as a rival competitor. I am not remotely in these for anything other than the ride, and on that level they work fine. I particularly like all the little diagrams of the ridiculously over-engineered challenges. If you are going to read any of Reilly's books I would pick this series or Hovercar Racer, although I really should read his first two as well.

Anthony Quinn, Curtain Call, or The Distinguished Thing. 1930s set murder mystery with East End (London) theatre backdrop; I really liked the worldbuilding and the characters, who are vivid and complex and interact with each other in interesting and unexpected ways, but then it fell apart at the end. This, I think, is largely because the murderer themselves is not so well characterised, and so the denouement falters.

[redacted for Yuletide] 2 books.

And then I discovered how to load ebooks from the library's extensive digital catalogue onto my Kobo *and* had to spend a lot of time sitting in a darkened room with it.

JL Merrow, Played! – actor hiding out in Shamwell before taking up the finance job his father favours entangles himself with local dyslexic repairman, who he gets to coach as Bottom in the local theatre group’s production of Midsummer Night’s Dream. It’s hard to go wrong with this set up.

JL Merrow, Out! Closeted workaholic quits his job and offers to take in teenage daughter when ex-wife is having trouble coping, and gets entangled with a charity worker who is not going to pretend not to be gay for anyone. This is a lot slighter and after I finished it I kept wondering if I’d forgotten to read the end.

Courtney Milan, Trade Me. Tina Chen is a poor student who, after an argument, swaps lives with Blake Reynolds, the handsome billionaire who just happens to be in one of her classes. I read this for Tina, really, because she's a great character who actually has a family and friends and a context, but I didn't have much time for Blake and the denouement with his dad and the product launch felt horribly cringe-inducing.

Stephen King, Blockade Billy. Novella length piece about baseball, pretty much all voice and imagery, but it stuck with me.

Kate Wilhelm, Storyteller: writing lessons and more from 27 years of the Clarion Writers' Workshop. Part history/memoir, part teaching guide. Bits of this were more helpful than others (there's some repetition as well), and it's also very much an original Clarion book (I went to Clarion West) in talking about the Clarion experience itself. Worthwhile.

KA Mitchell, Ready or Knot books 1 (Put a Ring on It) and 2 (Risk Everything on It). Marriage-themed collection about 4 gay friends. Book 1 has the up-and-coming Broadway director Theo and his introverted Korean IT boyfriend dealing with the fallout after Theo’s massively public all-singing, all-dancing, Times Square proposal goes viral, book 2 is closeted former child star Jax starts a relationship with recently separated Oz, who parents two foster children with intermittent involvement from his scatty (male) ex, and does not want any more drama or lack of commitment. I do like that KA Mitchell has a lot of non-white protagonists (Oz is black and his ex Latino), and I do actually like the characters, but these are pretty slight. Everyone is super successful and rich, and there’s a lot of skimming over things – in book 1 both characters go off and have relationship epiphanies off-stage (at different times), then come back and narrate them to their partner, which successfully dulls the impact. Book 3 will deal with the last two friends, who have an on-again, off-again thing going, which is not my favourite trope but if the library has it I suspect I'll read it anyway.

In progress:

[Redacted for Yuletide]

Elin Gregory, Eleventh Hour. Historical m/m. I got about one chapter in and got distracted by something, will go back.

Lyn Gala, Mountain Prey. Contemporary small town m/m with a lead who is out on forest patrol when a handsome stranger seeking revenge on a criminal bad guy captures him and ties him up a lot, which is great because Stunt (the lead) really likes being tied up. I think this is just not working for me but I'm not sure why, given some of the stuff I've happily put up with previously.

Kate Sherwood, Dark Horse. M/M contemporary romance with the most glacial slow build ever - I think I was about 300 pages in before anyone had sex (and not within what I presume is the end-game relationship) *but* this is mostly because the lead, Dan, is grieving the loss of his long-term partner and also because he does have a job - training horses to compete in eventing - and there's a lot of horse in here, too. I do think it could have done with an edit, but it's doing quite a bit that I don't usually see in m/m (other details redacted for spoilers) and it's worth reading.

Up next:

I have been eyeing up my unread manga pile wistfully, but realistically All Yuletide All the Time.
cyphomandra: boats in Auckland Harbour. Blue, blocky, cheerful (boats)
This is probably the last month or so.

Finished reading:

Tana French, Broken Harbour. A family living on a post-boom half-finished housing estate start to fall apart when the father becomes obsessed with animal noises in the attic; the view point in this, “Scorcher” Kennedy, has bitter family ties to the location (called Broken Harbour in his childhood, it now rejoices in the name of Brianstown). The bit where the lead detective has a family connection that they don’t disclose is growing thin here with repetition here,, as is the moment where the detective tells the reader that this is the moment when they could have stopped everything from falling apart but didn't. Kennedy is less likeable than Rob but more principled in the end, and the relationship with his rookie partner Richie slightly less dysfunctional than Rob and Cassie, and it’s all very readable and has a great sense of place, but I do want something a bit different. I am third out of ten holds for The Likeness and somewhere in the 30s for The Trespasser, and looking forward to both.

Victor LaValle, The Ballad of Black Tom. A black hustler, Charles Thomas Tester, takes a job playing music for a white man who turns out to be summoning the Elder Gods; this is inspired by and criticising Lovecraft, specifically his Horror at Red Hook story and LaValle dedicates the book to him with all his complicated feelings. The scene setting and Tom and his father are all great, and I would have happily read more of it, but the book switches to Malone's (he's the investigating detective who is the protagonist of Lovecraft's piece) pov and although I can see why LaValle did it it lost me as a reader. There are a number of revisionist Lovecraft pieces out or coming out at the moment, and I would particularly recommend Ruthanna Emry's The Litany of Earth.

Jilly Cooper, Jump! I started reading Mount!, which is just out, and realised less than a chapter in that I never finished Jump, which I think ran into earthquakes or something similar, as I stalled less than a hundred pages before the end. It’s still not up there with Appassionata and Polo, but I do admire Cooper having her romantic lead be a grandmother in her late 60s, with a secondary character being a Pakistani stable lad who is suspected of terrorism. I remember the flood as being more significant than it was on this re-read but I think mostly that was because that was where I stalled last time so it felt as if it went on for ever. I do find the way spoiling animals is totally approved of and done by all the best characters while spoiling children is terribly wrong a bit irritating. Some of this is due to having read Jilly Cooper’s The Common Years, a sort of personal diary of nature via dog-walking, in which not one but two of her dogs have to be put down (I think for both killing cats or else a child's small dog is the final offence) despite her doing everything possible to control their terrible behaviour except a) training them or b) having them neutered. I did cry at the end, because there's a bit that reminds me of my favourite moment in Riders and even though I have massive, massive issues with all the human characters involved I still love the horse.

Barbara Hambly, Fever Season. I started reading this and then everyone else in the household got sick (although not with yellow fever or cholera) so it ended up on hold for a bit. I think having not one but two mysteries running during an epidemic is a great idea, but the relentless death scenes as backdrop did make this a rather depressing read. I was also spoiled by history for a fairly key event. The characters are great, though, and even when bleak it’s still fascinating. The next two are available on Overdrive *if* I can actually work out how to use my library's digital subscription (my last attempt got me files readable on a laptop but I couldn't get them onto the ereader).

Matthew Reilly, The Great Zoo of China. A selected group of interested parties are invited to tour a not-yet-open top-secret zoo that turns out to be inhabited by DRAGONS! Much to everyone’s surprise things go horribly wrong. The usual Reilly fast pace and cinematic scenes, with a change to a female protagonist (CJ Cameron, an alligator expert), and there are some nice moments in here but it’s very, very obvious who is going to survive and how. The Four Legendary Kingdoms, the next one in his Indiana Jones-style world-ending conspiracy series, is out next month, and I think he’s probably better in series. I did pick up an ex-library copy of his The Tournament, which is historical and features a young QEI - must give that a go and see what on earth he's done with it.

Jan Mark, Trouble Half-way. Amy is a cautious child who is not wild about her new stepfather; when her mother has to take Amy's toddler sister and look after her suddenly unwell father, Amy ends up having to go on her stepdad's lorry delivery round. You are probably envisioning all sorts of Problem Novel occurrences, but this is Jan Mark and the mid 80s, and so it is a well-drawn believable story in which Amy learns that she can be a little more independent and people are not always threatening just because you don't know them. Mark as an author will always mean The Ennead to me, a stunningly brilliant YA one-volume fantasy that I am enthralled by and argued (in my head) with in equal measure since I first read it as a teenager.

I also skimmed through the Narnia series – the beginning of Prince Caspian, beginning and end of The Dawn Treader, most of The Silver Chair and The Last Battle for writing And All Points North. I am still never going to like The Last Battle, and I can still remember how betrayed and irritated I felt at reading the opening Shift & Puzzle section for the first time as a child. Reread a bit of Mike and Psmith and (mostly) resisted getting sucked into Josephine Tey's Miss Pym Disposes, all conveniently on Project Gutenberg.

In progress:

Jilly Cooper, Mount! Jump! was at least trying to extend the bounds of romantic protagonists. This has Gala, who is employed as a carer for Rupert's increasingly demented father and is a widow from a violence-riven country in Africa whose husband was murdered by possibly state-sanctioned agents of organised crime, and I would like her much more if she were a Sudanese refugee and not a white Zimbabewan who was putting off having children due to a court case over her farm and whose husband ("a true Rhodi") died in a hail of bullets while hugging a baby rhino to save it from poachers. I would also like her more if the description of the revenge attacks on her husband and her farm spent less time going on about how all the dogs were killed and clarified whether the farm workers were also all killed. So far this was mentioned only briefly in the second of three (so far) retellings, and I am unsure if this is the author's or Gala's oversight. It is also heavily about Rupert Campbell-Black, of whom I am not fond, and I am reading it rather grumpily.

Agatha Christie, Death on the Nile. The Peter Ustinov movie of this was one of the first films I remember seeing, but it’s been a long time since I read it. I can remember vividly how the murder was done, which means I know who, but it’s still fun watching it all fall into place.

Tim Powers, Medusa’s Web. I bought this on my last-but-one trip to Kinokuniya in Sydney and found it still in the suitcase on the most recent trip. I am about 60 pages in but was getting wistful fondness for what I consider to be Powers’ best books, so:

Tim Powers, Last Call. I actually borrowed this from the library despite owning it, because my copy is, like most of my other books with authors starting with “N” and after, in one of a large number of inaccurately labelled boxes either in an attic or jammed into a wardrobe somewhere. I can never decide which one of a handful of Powers I like best, but this is up there – it’s so believable and completely bizarre at the same time. I am possibly being unfair to Medusa's Web as I'm not that far in, but it does feel thin by comparison.

Rose Lerner, Sweet Disorder. Widow Phoebe Sparks can, by marrying again, generate a vote in the hotly contested district election and so, despite her lack of keenness, both the Whigs and Tories attempt to provide her with suitable candidates. Nick Dymond, crippled war veteran and brother of the Whig candidate, gets involved a little bit more than he should with Phoebe’s decision. This is holding my attention more than the last Lerner I tried, which I gave up on; it’s enjoyable and there’s enough history there to work for me, even while a fair bit of contemporary creeps in. It hasn’t really got me as involved as I would like, though, and it may be that I’m just not all that into contemporary het romances at the moment, unless they're also re-enacting National Velvet in the background.

Abandoned:

Louise Doughty, Black Water. I liked the idea of a book dealing with the Indonesian genocide, but this wasn’t working for me; as with Apple Tree Yard, there’s an early immediate sexual connection that didn’t feel believable, and flipping through to see if things picked up got me then not one but two past child deaths told in that particular literary styling where you know they’re going to die and it’s just being dragged out in nicely turned prose, so I bailed.

Mark Haddon, The Red House. I could probably have handled all the dialogue being in italics without quote marks if I could have been bothered remembering who any of the characters were.

Up next:

Finishing all this lot and then probably alternating Benjamin January with the My Friends series.
cyphomandra: fractured brooding landscape (Default)
Eighteen books to go after these. Reviews of ones I like seem to be getting longer, so I'm trying to cut back.

Morris Gleitzman, Grace. )

TT Garland, Judy carries on. )

John Krakauer, Into thin air. )

Matthew Reilly, The five greatest warriors. )

Deceptions

Mar. 30th, 2008 02:38 pm
cyphomandra: fractured brooding landscape (Default)
If something looks easy but is actually difficult, is it "deceptively easy" or "deceptively difficult"? I had one of those moments when writing it the other day and now both alternatives look wrong in that way that anything does when you examine it closely. Anyway. A madly tenuous connection can be drawn between this, the post title and the first book here, or you can use it to refer to my equally tenuous belief that I can keep up in a remotely timely fashion with this blog.

Michelle Magorian, Cuckoo in the Nest. )

Naomi Novik, Black powder war Naomi Novik, Throne of Jade Naomi Novik, Empire of Ivory. )

Betty Cavanna, Almost like sisters. )

Matthew Reilly, Six sacred stones. )

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