cyphomandra: boats in Auckland Harbour. Blue, blocky, cheerful (boats)
I have written up half the gaming but I can't find the file so here, books from October. Best of the month were Katherine Arden's Small Spaces series, perfectly seasonal middle grade horror.

Our wild farming life, Lynn Cassells and Sandra Baer
Divinity 36, Gail Carriger
Gate of the feral gods, Matt Dinniman, audiobook
The rest of us just live here, Patrick Ness
The striker and the clock, Georgia Cloepfil
Delay of game, Ari Baran
The girl who couldn’t lie, Radhika Sanghani
The school on the moor, Dorita Fairlie Bruce
By honour bound, Bessie Marchant
The new prefect, Dorothea Moore
Pas de don’t, Chloe Angyal
A soundtrack for falling in love, Arden Powell
Mark cooper versus America, JA Rock & Lisa Henry
Brandon Mills versus the V Card, JA Rock & Lisa Henry
Small spaces, Katherine Arden
Dead voices, Katherine Arden
Dark waters, Katherine Arden
Empty smiles, Katherine Arden

Cut for length. )
cyphomandra: (balcony)
I read some great books this month and two of them had heroes called Ambrose.

The Darkness Outside Us, Eliot Schrefer. Ambrose wakes up on his spaceship knowing his mission - to rescue his sister, Minerva, who was the first settler on Saturn’s moon Titan and whose distress beacon has finally activated after a long period of non communication. He can’t, however, remember the launch itself, and he is surprised to find that his spaceship is twinned with a vessel from the other main Earth power - and contains an astronaut from there, Kodiak. Aided by the ship’s operating system (OS), they must prepare the ship for the rescue mission.

But the gap in Ambrose’s memories is not the only oddity. As they approach Saturn, more and more discrepancies become apparent between what they are told by the OS, and what they observe for themselves.

I really liked this book - it’s YA, gay romance, and it’s space horror, where a significant part of the horror is the sheer unbelievable vastness of space itself, set against the claustrophobic existence of a two-man spacecraft. Everything else is a spoiler and so I am going under this cut - Significant spoilers. )

Awfully Ambrose. Lisa Henry & Sarah Honey. Ambrose is a struggling actor who supports himself and his faded former TV star mother by being a Bad Boyfriend; going on terrible dates with people & their relations in order to get rid of family pressure to be in a relationship or make the next partner seem so much better by comparison. Liam, who has a supportive but pushy family, hires Ambrose to get his relatives off his back, but their relationship starts turning real.

What I really liked about this was the setting, which is not just Australian and not just Sydney, but is very specifically in Newtown (and then Liam’s family’s vineyard in the Hunter Valley), as I spent two years living on the fringes of Newtown and a lot of time in it, to the extent that at the start of chapter 4 the characters are on a road I walked up and down most weekdays, and I felt warmly nostalgic. The characters are as specific as the setting (there’s an Australian glossary at the beginning) and Ambrose’s bad boyfriend act - and the cracks and tension that arise in it - are great.

Horribly Harry, Lisa Henry & Sarah Honey. So I then bought the sequel, in which Ambrose’s flatmate, Harry, who thinks he’s asexual, has taken over Ambrose’s job, and manages in the process to upset the brother of one of his bad dates so much that the guy empties a strawberry smoothie over him - and almost kills him due to Harry's strawberry allergy. Jack, the brother, has dropped out of university to work as a mechanic, and is overwhelmed with guilt to the extent that he ends up moving in with Harry - and Harry, much to his surprise, develops romantic feelings for Jack. I didn’t like this nearly as much - it’s not that it’s bad, and I do really like Harry’s long-running battle with a particular volunteer at his local op shop - but it was less compelling than the first book and the characters felt a lot younger, or at least a lot more immature. I will still snaffle the third one when it comes out, though (the Bad Boyfriend mantle is inherited by the remaining flatmate, Tristan, who has a no repeats approach to sex & dating), and it might be time to try the authors’ fantasy series.

Worrals Flies Again, WE Johns. Worrals is, once again, bored with her mundane job of ferrying fighter aircraft in WWII, but fortunately one of the Intelligence Branch shows up looking for a pilot who is fluent in French (Worrals conveniently spent a year in France before the war) to station herself in a dilapidated French chateau and fly urgent messages back to Britain. But when she and Frecks arrive (in their tiny plane with foldable wings, the better to hide in wine cellars), German soldiers are already in residence in the chateau, and Wilhelm von Brandisch, head of the Gestapo in occupied France, is sniffing around the area… Less flying and more spying in this one, and it rattles along swiftly, with plots and counterplots; Worrals has to be on her toes at all times, as do the readers. I totally fell for the bit with the booby-trapped landing field.

Vessel, Lisa A Nichols. The Sagittarius NASA space mission to an exoplanet on the other side of an Einstein-Rosen bridge is assumed lost - until Catherine Wells, the pilot, and the only one left of the six member crew, returns after a decade to a husband who’s moved on and a daughter who is now an adult. She has no memory of what happened after they landed on the exoplanet - yet, back on Earth, she starts losing time, and experiencing sudden violent rages towards suddenly unnatural seeming colleagues. Another mission to the same planet is about to launch, and the only one Cath can trust with her worries is Cal, a NASA scientist who thinks Cath knows more than she’s saying.

What this is good at is all the detail of an actual NASA mission, the jargon and day-to-day working lives of the staff and scientists. What this is bad at, unfortunately, is the plot, which is obvious, and the characters, some of whom have potential that doesn’t come off. Cath as an ambitious pilot whose husband washed out of training and who chose to leave him and their daughter for the mission is an interesting character, but never seems to quite click into place, and the relationship with Cal didn’t work for me at all. Also, while all the NASA stuff seems quite convincing, when I am in a position to comment on the science of a particular aspect it is clunkingly wrong. And capping it all off is the ending, in which the book just stops without committing to a resolution. It didn’t help that I read this right after The Darkness Outside Us, but even so.


The 143-Storey Treehouse, Andy Griffiths & Terry Denton. I have retained very little of this as it just isn’t for me but the bit where strange creatures called hobyahs kidnap the characters in order to put them in bags and poke them with sticks was nicely child-level horror.
cyphomandra: Painting of a bare tree, by Rita Angus (tree)
I can try climbing again tomorrow night, woo hoo. I've also had 2 doses of Pfizer COVID vaccine; the first gave me a sore arm and a wave of fatigue that evening, the second gave me a very sore arm and a vague sense of tiredness, which I will definitely take as evidence that my immune system is doing something.

Emotional Female, Yumiko Kadota (as audiobook read by the author). Yumiko grew up in Singapore and England before moving to Australia for the last bit of high school and medical school; she always worked hard, made friends, was smart, kind, and responsible, and ticked off one career box after another until she ran headlong into the Australian surgical training scheme, which systematically exploits all would-be surgeons and is not remotely hesitant in discriminating against any one outside the white male Australian norm. Yumiko wrote a blog post about her experiences that went viral, and it’s a useful shorthand for the book; what the book adds is more context, sexual assault by superiors in training (she changes the names but it’s not hard to work out who she’s talking about), and a prolonged and difficult recovery. The writing tends towards restating the obvious, and – oddly – she never seems to have made a mistake in her medical career – but it’s compelling.

Hot Money, Dick Francis. Ian’s estranged father Malcolm is immensely wealthy and has five ex-wives and an assortment of bickering adult children; when the most recent wife is murdered and someone tries to kill Malcolm, he asks Ian (an amateur jockey, natch) to protect him. It’s competent enough, but in order to keep the field of suspects open Francis makes most of the extended family rather unpleasant. The incredibly wealthy tour of international horsey bits is fun.

The Duke of Shadows, Meredith Duran. Emmaline survives the shipwreck that kills her parents on her trip out to India to meet a fiancé, who as so often in these cases turns out to be a rotter, while the British Raj society consider Emma tarnished irretrievably due to her rescue by passing sailors; Julian is an heir to a dukedom and part Indian, an outside and one of the few people who can see – if not stop – the coming uprising (it’s 1857). It’s Duran’s first novel, and it’s good – it doesn’t have the feel for India that MM Kaye’s books have, but she’s strong on character and Emma, in particular, gets to be angry and destructive in a way that romance heroines often don’t show.

The Sins of Lord Lockwood, Meredith Duran. Liam Lockwood disappears on his wedding night to Anna, who holds Scottish lands in her own right and thinks that the deal she made with Liam in order to keep these means that he must havenever had any feelings for her beyond convenience. However, rather than sporting on the Continent Liam was kidnapped by his evil cousin and sent to a hellish prison colony, and his return is part of his plan to trap his cousin – but he wasn’t expecting Anna to find out and interfere. It’s an interesting set-up and Duran gives both characters depth and authority. There are also some great bits with the convicts Lockwood has brought back with him, but Anna isn't as convincing a character as her other female leads.

Auē, Becky Manawatu. Domestic violence, gangs, child abuse, interwoven into the stories of two (and a bit) generations of Māori living in the South Island. It’s won lots of awards and the writing is great. I personally didn’t think keeping the timeline opaque added anything to the story and it does have that “of course they’ll shoot the dog” feel to it. It may be a generational thing but for me the bone people will always be my touchstone for Aotearoa/NZ writing about domestic violence and it's the book where I find the violence most disturbing.

It might sound cliché, Jessie G. All-too-appropriately titled short. Rocco can’t forgive his lover Nino for torching their family restaurant, even as he works himself to the bone to rebuild it; he heads out of town to a snowbound cabin to relax and, naturally, finds Nino there, along with the news of what really happened. Forgettable.

The Covert Captain, Jeannelle M Ferreira. This took me quite a few goes to get into, not because it’s not good but because it’s a very elliptical read, focussed very tightly on period-specific setting and dialogue and leaving a lot of the conventional emotional work to the reader, as well as much of the usual narrative interstitium. I liked Eleanor/Nathaniel a lot, Harriet less so, and would happily have read many more bits with horses; I think I’d prefer more historical to more romance by the author.

Fall Out, Lisa Henry and M Caspian. M/M romance. Former highschool boyfriends reunite at college – then Bastian is in a car smash and ends up struggling with chronic pain and feelings of inadequacy. A camping/research trip (Jack is doing a PhD in environmental science) looks like a possible chance for them to get back together – until there’s an ugly incident with a motorcycle gang and then volcanic ash starts falling from the sky. I was not expecting volcanic eruption and the really rather rapid decay of society, along with lots of rape and murder, and although the (sympathetic) characters are well done, it’s tense, and the volcanic eruption is a fantastic complication, I really prefer Henry’s more conventional romances. Haven’t read anything else of Caspian’s.

Chase in Shadow, Amy Lane. First in a series about the guys who work at Johnnies, a gay-for-pay porn video company. Chase has a terrible father and blames himself for his mother’s suicide; he is also deeply in the closet and engaged (to a woman), but once he takes the job (telling his fiancée it’s in construction) he falls for another guy, and everything begins to unravel. The set-up works really well for Lane and it’s a competently handled cast of characters, with a lot of interesting hints at the next books. The ending lurches into sentiment, as her books tend to do, but I cheerfully downloaded the next one.
cyphomandra: fractured brooding landscape (Default)
Lights and Sirens, Lisa Henry. #2 in the Emergency Services series (fairly loosely connected; Gio from the first book shows up briefly at a CPR recertification course). Paramedic Hayden likes driving fast, saving lives, and having guilt-free hook-ups; the only person he doesn’t get on with, after a misunderstanding over a speeding ticket, is police officer Matt Deakin, a by-the-book type who moved to Townsville to look after his elderly grandad. When the misunderstanding is sorted out they have sex, but it seems to be developing into something more…

The main obstacle here is Hayden’s emotional damage, past and present - he’s a former foster kid with abandonment issues, and then he breaks down after a terrible week at work (fatal car accident, young boy drowns in backyard pool, suicide of someone he knows) - and in some ways it feels as though the relationship is almost too easy, given all that. Matt gets less development, although the relationship with his grandad is great. I didn’t find this as engaging as the first one - there’s a lack of heat between the leads, and the tragedies they’re dealing with overwhelm the storyline to a degree. But I like the characters and the detail (both the Australianness and the emergency services stuff) and I’d like to read another in the series.
cyphomandra: fractured brooding landscape (Default)
First in her Emergency Services series, m/m contemporary romance featuring two police officers who share a 60 000 km beat in Queensland, Australia. Gio is new, a big city cop who was on the rise until he turned his boyfriend and fellow officer in for abusing steroids; unfortunately the boyfriend has put a spin on the story that means Gio is now seen as a dog, which is apparently what Queensland police call a traitor and they are bullying him out of the force. He ends up taking a job in Richmond, where his sergeant, Jason, is still grieving the death of his wife five years earlier and struggling to look after Taylor, their ten year old son.

As Gio learns how to be a good small town cop, and Jason works out what the real story behind Gio's past is, the two of them start a no-strings-attached sexual relationship (Gio is out, Jason is bi and possibly poly - he met his wife when they were both sleeping with the same guy, with definite overlap), but events and emotions make things more complicated.

The small town policing and the Australianness of this are definite strengths (I read at least one irked review complaining that they had no idea what Vegemite was; also Gio's first call out in Richmond is to get a deadly snake out of someone's wardrobe) - Henry is a dispatcher for the Queensland police, and it all feels very lived-in. I liked Gio, and I like that Jason, unlike many other single dads in m/m, is doing his best for his son but it is quite definitely not enough; he can't single-handedly mind a ten year old and run a police station, and he can't keep expecting others to look after Taylor, either. I am less convinced by the near total lack of small town homophobia and, while I do really like "no-strings that becomes something more" as a trope, I didn't get enough heat and emotion out of Gio and Jason to really make that work. I've liked previous books by Henry while finding them a bit too fond of the delicate younger easily abused man meets older competent cynical protector to always work for me, so it's interesting to see Henry trying something different; and I'll definitely read the next one.

(I was looking at my past reviews of Henry's books and hit this line from a review of a rather irritating m/m from a totally different author: "Edward – Eddie – is also totally naïve, gay, and an extremely effective black belt in karate, despite being so clumsy that at one stage he gets his hands stuck in his pockets and requires two people to free him." Inexplicably I never read another book by them :D )

Two more

Jan. 24th, 2013 09:22 pm
cyphomandra: fractured brooding landscape (Default)
Lisa Henry, He is Worthy. Rome, 68AD, and the Emperor Nero is busy running the place into the ground with state-sanctioned murder and sexual decadence. Senna, a friend of Nero’s (one of the few he hasn’t turned against) has the job of telling patricians when they’ve lost Nero’s favour and need to kill themselves; he is sickened by what Nero has become, and recruits one of Nero’s new sex slaves, Aenor (a Bructeri trader) to kill Nero for him.

Lisa Henry, He is Worthy. )

Heidi Cullinan and Marie Sexton, Second Hand. This was just the right amount of sweet and fuzzy, much to my surprise (I read about half of it at the dog park, which was also the ideal setting). I had wondered whether combining these two authors would skew more towards explicit sex or total sap (Heidi Cullinan’s extremes), but instead it’s worked rather well, without my feeling too trapped by the small town setting (more of a Marie Sexton thing).

Heidi Cullinan and Marie Sexton, Second Hand. )
cyphomandra: vale from brotown looking put upon (give me strength)
A recent binge which is still ongoing. I'd recommend the second of these with caveats, and the third with the disclaimer that I loved it but may well be hopelessly biased. And you can find me being snarky - with spoilers - about the first one, behind this cut:

Fyn Alexander, Rentboy. )

Lisa Henry, Dark Space. )

L.A. Witt. From Out in the Cold. )

Relocation

Jun. 5th, 2012 10:22 pm
cyphomandra: boats in Auckland Harbour. Blue, blocky, cheerful (boats)
So. I have moved cities (again), and am now in one that is slightly warmer and definitely more tectonically stable. All my books are currently still in boxes, and may be there for a bit while I work out what to do about shelving (behind heat pump and external painting in the list of important big house things, unfortunately). The dog is adapting to his new environment and has completely recovered from the surgery he ended up having the week before we both moved (removal of his anal glands, very glamorous). Hmm. Somehow, this does not automatically lead into a discussion of book reviews.

I am miles behind on these anyway. Here, have an assortment of brief and possibly not all that tactful reviews that will hopefully represent some of my recent reading:

Suzanne Brockmann, Dark of Night. )

Erin Dionne, The total tragedy of a girl named Hamlet. )

Marie Sexton, Blind Space. )

Lisa Henry, The Island. )

The last two reviews have also appeared on GoodReads, if they look familiar, as I finally gave into badgering (you know who you are) and signed up there. I’m not entirely convinced that the site works for me (I hate rating books, so I don't, and I’m also really lazy about logging them, so it’s also way behind), but if you want to know who I am there, just ask.

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