denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_news
Hello, friends! It's about to be December again, and you know what that means: the fact I am posting this actually before December 1 means [staff profile] karzilla reminded me about the existence of linear time again. Wait, no -- well, yes, but also -- okay, look, let me back up and start again: it's almost December, and that means it's time for our annual December holiday points bonus.

The standard explanation: For the entire month of December, all orders made in the Shop of points and paid time, either for you or as a gift for a friend, will have 10% of your completed cart total sent to you in points when you finish the transaction. For instance, if you buy an order of 12 months of paid time for $35 (350 points), you'll get 35 points when the order is complete, to use on a future purchase.

The fine print and much more behind this cut! )

Thank you, in short, for being the best possible users any social media site could possibly ever hope for. I'm probably in danger of crossing the Sappiness Line if I haven't already, but you all make everything worth it.

On behalf of Mark, Jen, Robby, and our team of awesome volunteers, and to each and every one of you, whether you've been with us on this wild ride since the beginning or just signed up last week, I'm wishing you all a very happy set of end-of-year holidays, whichever ones you celebrate, and hoping for all of you that your 2026 is full of kindness, determination, empathy, and a hell of a lot more luck than we've all had lately. Let's go.

much emotional support fiber

Nov. 29th, 2025 11:34 pm
yhlee: Alto clef and whole note (middle C). (Default)
[personal profile] yhlee
Saori WX60 + Clover Sakiori 60cm "feather" (reed/heddle thingy???) Frankenloom warping. This does work. It doesn't work all that well, but it works. Fortunately, the weaving is the fast part and this is a shorter warp, so I'll just finish this for exploration's sake and then return to "normal" warping. :)





Finished the 2-ply merino yarn!

And me? Well, I'm just the narrator

Nov. 29th, 2025 02:17 pm
sovay: (PJ Harvey: crow)
[personal profile] sovay
If you knew the algorithm and fed it back say ten thousand times, each time there'd be a dot somewhere on the screen. You'd never know where to expect the next dot. But gradually you'd start to see this shape, because every dot will be inside the shape of this leaf. It wouldn't be a leaf, it would be a mathematical object. But yes. The unpredictable and the predetermined unfold together to make everything the way it is. It's how nature creates itself, on every scale, the snowflake and the snowstorm. It makes me so happy. To be at the beginning again, knowing almost nothing. People were talking about the end of physics. Relativity and quantum looked as if they were going to clean out the whole problem between them. A theory of everything. But they only explained the very big and the very small. The universe, the elementary particles. The ordinary-sized stuff which is our lives, the things people write poetry about – clouds – daffodils – waterfalls – and what happens in a cup of coffee when the cream goes in – these things are full of mystery, as mysterious to us as the heavens were to the Greeks. We're better at predicting events at the edge of the galaxy or inside the nucleus of an atom than whether it'll rain on auntie's garden party three Sundays from now. Because the problem turns out to be different. We can't even predict the next drip from a dripping tap when it gets irregular. Each drip sets up the conditions for the next, the smallest variation blows prediction apart, and the weather is unpredictable the same way, will always be unpredictable. When you push the numbers through the computer you can see it on the screen. The future is disorder. A door like this has cracked open five or six times since we got up on our hind legs. It's the best possible time to be alive, when almost everything you thought you knew is wrong.

Tom Stoppard, Arcadia (1993)
thisbluespirit: (winslow boy)
[personal profile] thisbluespirit
Since I've been trying to watch (or listen to) all of the Rattigans lately, this seems like a good topic for a post!

Who was Rattigan?

Terence Rattigan (1911-1977) was an English playwright and screenwriter, whose most famous works are The Browning Version (1948), The Winslow Boy (1946), The Deep Blue Sea (1952) & Separate Tables (1954). His works are usually sharply observed, low-key character pieces, mostly v middle-class background*, one of a combination of factors that caused him to fall from favour in the wake of Osborne's Look Back in Anger in the 50s. He wrote for (low-brow!) cinema, radio and TV too, another factor. Since the 90s in particular he's been recognised as one of the 20th C greats, via several major revivals of many of his works and you'd be hard pressed to find a year now when some major British theatre or other isn't putting on a Rattigan.

He was gay, which is evident in many of his plays, although usually more implicitly than explicitly - the most explicit use of a gay character, in Separate Tables, he censored himself prior to its Broadway performance. From 1998, though, happily, modern productions have usually restored the original version. The Browning Version isn't explicit, but is very much about queerness, too.

I came across him when my teacher gave us The Browning Version for A-Level, and instantly fell in love, even if it took me thirty-odd years to finally get up and try some of the rest of his plays. I think I was worried that they wouldn't be as good or would contain aspects that might spoil TBV for me - happily, as you can see, I needn't have worried!


What do I love about his works?

He's very much all about character pieces, especially small-scale, claustrophobic ones (which the theatre naturally tends towards), in a way that I really love.

His first success was the farce French Without Tears (1936), so between that and the screen-writing, he's a very easy watch, in the best sense - his dialogue says so much about character, and often still feels fresh, and he can do light comedy as well as the more serious pieces. You'll often find variations on mismatched marriages, moral choices, people from different positions finding understanding of each other, and trial by the media in one form or another. His characterisation is always well-rounded and complex.

The thing I love the most, though, is his characteristic trick of having so much of the mood or conclusion or character shift on a literal sixpence - one small item, or action, or change of point of view leads to an uplift of hope we didn't expect - and on rare occasions, the reverse, acting as the last spiteful straw. The gift of a book, the discovery of a letter, love of art - how big small things can be to us humans.

I'll talk about specific plays if I carry on with this meme, I'm sure, but I definitely think he's worth trying out if you haven't already. There are a range of adaptations around, new and old, (TV, film, Radio, some of which he wrote the screenplays for himself), as well as current theatre productions.

The National Theatre has a really nice little two-part intro to five of his major works (spoilery, though, as ever with these things) - I presume this means they have some Rattigans on their At Home service, too. If you wanted to try a live production, The Winslow Boy or The Browning Version are particularly good starting places.

(Warnings - not many! He's not a bleak writer at all as a rule, but suicide does crop up in various ways in After the Dance, The Deep Blue Sea and Man and Boy, and In Praise of Love has a character with a terminal illness - leukaemia, which he had himself).

The last thing of his I watched was Heart to Heart, a 1962 BBC TV screenplay written to launch one of their anthologies - it deals again with mismatched marriages, trial by the media, and an attempt to do the right thing that isn't very successful, but at the end, the main character, learning that out of nearly 300 people who phoned into the TV station after a broadcast, 3 of them got the point: "That's something," he says. "They must be very interesting people."

How very Rattigan. ♥



* He attended Harrow, although wiki, if it is to be believed, says that while he was there, he was in its Officer Training Course and started a mutiny, which is brilliant if it's true. <3
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


Eight books new to me. Five fantasy, one horror, two science fiction, of which two are series and six may not be.

Books Received, November 22 — November 28



Poll #33890 Books Received, November 22 — November 28
Open to: Registered Users, detailed results viewable to: All, participants: 46


Which of these look interesting?

View Answers

Kill All Wizards by Jedediah Berry (June 2026)
16 (34.8%)

The Franchise by Thomas Elrod (May 2026)
9 (19.6%)

Carry Me to My Grave by Christopher Golden (July 2026)
2 (4.3%)

Obstetrix by Naomi Kritzer (June 2026)
23 (50.0%)

Inkpot Gods by Seanan McGuire (June 2026)
14 (30.4%)

Cursed Ever After by Andy C. Naranjo (June 2026)
7 (15.2%)

For Human Use by Sarah G. Pierce (February 2026)
2 (4.3%)

The War Beyond by Andrea Stewart (November 2025)
7 (15.2%)

Some other option (see comments)
1 (2.2%)

Cats!
31 (67.4%)

Last minute reminder

Nov. 29th, 2025 02:55 pm
goodbyebird: Ripley says, "Get away from her, you bitch." (ⓕ get away from her)
[personal profile] goodbyebird posting in [community profile] rec_cember
Rec-Cember is officially up and running in two days, Monday ahoy! Feels real nice when it lands on the beginning of a new week, huh? I hope you've all had a good time scrounging for fanworks to rec, and may have found some shiny new gems all for yourselves as well (I know I have).

. sign-ups . event intro .
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll
But this time, I managed to wake her up without help. Go me.

Me-and-media update

Nov. 29th, 2025 02:25 pm
china_shop: Close-up of Zhao Yunlan grinning (Default)
[personal profile] china_shop
Previous poll review
In the Making friends with chatbots poll, 66.1% of respondents hadn't used AI in the last seven days, as far as they were aware, and 8.9% had used it for work. A quarter of respondents had used it against their will. Once again, I'm left wondering how representative Dreamwidth denizens are. My people!

In ticky-boxes, alpine octopuses practising their yodelling came a distant second to hugs, 41.1% to 67.9%. Thank you for your votes!!

Reading
Read more... )

Kdramas
Read more... )

Other TV
Read more... )

Audio entertainment
Tons of Tech Won't Save Us, which is really good. Argh, everything. /o\ Most of the available episodes of new Aotearoa NZ political podcast Cross Party Lines (in the vein of and inspired by The Rest is Politics), which is really good -- intelligent and informed, of course, and I appreciate that the right-wing representative has zero time for our current government. Writing Excuses. Letters from an American. One episode of Fansplaining. A couple of episodes of The Life Indigenous, and the start of an episode of The Tongue Unbroken: Language Revitalization & Decolonization.

Online life
Constantly running to keep up, partly because I haven't been around as much. | I need to not compare my Yuletide productivity with last year's -- finishing my assignment is enough! Anything else is jam. | The [community profile] sid_guardian Slo-Mo Guardian Rewatch continues to be wonderful!

Writing/making things
A few bits and pieces inspired by the Slo-Mo Rewatch, a few flashfics. It's time to roll up my sleeves and dig into my Yuletide fic: so far I have 360 words and a scene list. I'm in a reasonably good writing headspace, so I expect it to be fun if I can keep from second-guessing my prose. *knock on wood*

Life/health/mental state things
Read more... )

Link dump
Ryan Coogler gives a speech at Chadwick Boseman's posthumous Hollywood Walk of Fame star ceremony (via [personal profile] minoanmiss) | [tumblr.com profile] dyk-tv-theme-song | wordhippo.com is my current thesaurus of choice | The Old College Try (Feel Good (TV) fanvid) by [archiveofourown.org profile] periru3 | Japanese heavy metal (who linked to this? the video is amazing) | From Now on I’m Taking All of My Storytelling Lessons From This Wild Epic About Love, Loyalty, and Necromancy by Kali Wallace (via [personal profile] starandrea) | !!!!! Did you know you can search across all sign-ups for events on AO3? !!!! :D

Good things
Meerkats and kangas and lemurs, oh my! Sunshine. TV. Dumplings. Biking. Yuletide and Guardian. Dreamwidth. Haircuts (I had 8 months' worth cut off, and when I stood up, there was a MOUNTAIN of clippings on the floor). Coloured pencils. Podcasts. Libraries.

Poll #33888 Subscriptions
Open to: Registered Users, detailed results viewable to: All, participants: 38


Have you cancelled any subscriptions for political reasons, lately?

View Answers

yes
11 (28.9%)

no, but I'm going to
0 (0.0%)

no, but I'm thinking about it
3 (7.9%)

no (too hard, don't have any, or other no)
18 (47.4%)

other
2 (5.3%)

grar at everything
14 (36.8%)

ticky-box full of hard copy media
15 (39.5%)

ticky-box full of instant gratification takes too long (Carrie Fisher)
12 (31.6%)

ticky-box full of lemurs locked together like lego pieces
11 (28.9%)

ticky-box full of the dishes are done!
9 (23.7%)

ticky-box full of fairies "helpfully" filling all your cups and mugs with snowdew and honeyflakes
13 (34.2%)

ticky-box full of hugs
25 (65.8%)

Second Delay

Nov. 28th, 2025 03:09 pm
eatdrinkmerrymod: (Default)
[personal profile] eatdrinkmerrymod posting in [community profile] eatdrinkmakemerry
Hello all! We still have a few pinch hits in need and will be delaying another week, with reveals now slated for December 7. If you can take one of these pinch hits or pass the word along to friends in these fandoms, please do!

Below are the pinch hits still outstanding. All pinch hits with 3 or more fandoms must be filled before the collection can open (we would love to have pinch hits for the rest also, but will not delay collection opening for them). To claim a pinch hit, please comment to this post with your AO3 username and the number of the pinch hit you are taking.

These pinch hits will be due on December 5 at 9pm PST. Assignment minimums are 500 words for fic or a clean sketch not on lined paper for art. Freeforms "sweet," "sour," and "spicy" are guidelines for general mood: light/fluffy, dark/angsty, and sex/kink-focused.

IPH03 - https://autoao3app.fandom.tools/#/EatDrinkMakeMerry2025/user/Audrelite
Depois do Universo | Beyond the Universe, Teen Titans (Animated Series), The World Ends With You, Yu-Gi-Oh! GX, Pokemon Main Video Game Series, Scribblenauts, JoJo's Bizarre Adventure, Original Work [fic]

PDPH13 - https://autoao3app.fandom.tools/#/EatDrinkMakeMerry2025/user/TechnicolorRevel
Yellowjackets (TV) [fic, art]

PDPH15 - https://autoao3app.fandom.tools/#/EatDrinkMakeMerry2025/user/kalika_999
Given (Anime), Wind Breaker (Anime), 呪術廻戦 | Jujutsu Kaisen (Anime) [fic]

Weekend to-do list

Nov. 29th, 2025 10:45 am
china_shop: An orange cartoon dog waving, with a blue-green abstract background. (Bingo!)
[personal profile] china_shop
  • Slo-Mo Rewatch post
  • Yuletide assignment draft
  • media update post (or, as I generally refer to it in my notebook: MUp) ✅
  • attack email inbox/tabs
  • First Aid flashfic (started)
  • draw something *struggles with the urge to disclaim this to the horizon and back*


Already achieved: dishes; [community profile] fandomtrees signup submitted, tweaked, and re-tweaked (I'm not going to touch it again!) (NINE fandoms, whaaaat?).

Also, I took almost no zoo photos the other day (and none of the meerkats), but I did snap these.



Book Review: The Director

Nov. 28th, 2025 03:13 pm
osprey_archer: (art)
[personal profile] osprey_archer
Most of the time when I read book reviews in The Atlantic, I think “Mmmm, glad someone else read this so I don’t have to.” But when I read their review of Daniel Kehlmann’s The Director, I was like “I need this in my eyeballs NOW.”

The Director (translated from German by Ross Benjamin) is a novelized biography of G. W. Pabst, one of the most important directors in the post-World War I German film scene, most famous today for discovering Greta Garbo and Louise Brooks. (Diary of a Lost Girl with Louise Brooks is the one floating in my vague “I’d like to see that one day” mental cloud.)

After Hitler rose to power, Pabst left Germany and looked for work in Hollywood. He struggled to find work in America, returned to Europe not long before the outbreak of war, and ended up making films in Nazi Germany.

These are the basic outlines of Pabst’s life, and they’re a matter of historical record. From here on out, I’m going to be referring specifically to the Pabst of the book, who clearly has some points of divergence with the real Pabst. For instance: book!Pabst has a son of military age, who is clearly standing in for the experience of the Average German Youth, while the real Pabst’s baby son was born during the war.

Now clearly the central question of the book is, how do you go from hating a regime so much that you flee to another country to uneasily collaborating with it? Part of the answer being that Pabst, in his own mind, is not collaborating: he’s not making propaganda films, he’s making non-political films! And he just happens to be making them in, okay, Nazi Germany, but does making art under an evil regime necessarily make that art evil?

And, okay, yes, technically his films are funded by the Nazi film ministry because that’s the sole source of funding in Nazi Germany. But what if you’re taking the funds from the Nazi film ministry and making a film like Paracelsus, which has what might be taken as an anti-Nazi message…? The whole sequence where a madman starts dancing, and everyone else starts dancing in time with him……?

But, I mean. Is that an anti-Nazi message, or is that just Pabst fans trying to come up with a justification for why “made films for Nazi Germany” is not quite as bad as it looks?

And then you have Pabst’s next film, his lost Molander, based on a book by a Nazi party hack named Karrasch. (There’s a hilari-terrifying scene where Pabst’s wife finds herself in a book club entirely devoted to Karrasch, who sounds like Nazi Nicholas Sparks). The subject matter is foisted on Pabst, but he digs beneath the surface of the story till he can make the script his own, then heads to Prague to film it.

The city is being continually bombed, and the Soviets are getting closer every day. Pabst’s assistant Franz comments, “Don’t you find it strange, Pabst, that we’re making a movie like this in the middle of the apocalypse?”

“Times are always strange,” Pabst tells him. “Art is always out of place. Always unnecessary when it’s made. And later, when you look back, it’s the only thing that matters.”

They’re supposed to get a battalion of soldiers for extras, but the battalion is called away to the front right before they film. So - Pabst turns to the local concentration camp.

I should say that this is not a spoiler - we learn it in the first chapter - and also that Pabst’s concentration camp extras, specifically, are historical speculation. There really were directors who used concentration camp inmates as extras (famously Leni Riefenstahl), but there’s no evidence if Pabst used them in Molander, as the film really was lost. But that’s what everyone was doing to make up labor shortages. It’s plausible.

And Pabst tells his assistant, “All this madness, Franz, this diabolical madness, gives us the chance to make a great film. Without us, everything would be the same, no one would be saved, no one would be better off. And the film wouldn’t exist.”

Only in the end, the film is lost. So it doesn’t exist, after all.

Recent fanworks

Nov. 29th, 2025 08:37 am
china_shop: Close-up of Da Qing looking conspiratorial (Guardian - Da Qing conspiratorial)
[personal profile] china_shop
Wow, I haven't linked my fanworks here in over a month - and I have been writing.

Guardian
  • Additions to the episode 4 interrogation of Shen Wei
    • The Mouse and the Dragon, 1,559 words, G-rated, ep 4 missing scene, Guo Changcheng interrogates Shen Wei
    • Going Fishing - 1,180 words, G-rated, ep 4 missing scene, Da Qing interrogates Shen Wei
    • Analysis and Verification - 838 words, G-rated, ep 4 missing scene, Lin Jing and Wang Zheng stealth-interrogate Shen Wei

  • Other things
    • Bed of Purrs - Shen Wei/Zhao Yunlan & Da Qing, 2,565 words, T-rated, set in YOHE (Da Qing-centric)
    • Reasons - 100 words, G-rated, ep 5 missing scene, Shen Wei POV on moving house
    • not close enough - 300 words, G-rated, episode 6, Shen Wei timeloop feels
    • Da Qing Works - fanart of Da Qing, riffing off the DreamWorks logo, G-rated
    • Retreat - 734 words, G-rated, Da Qing, Wang Zheng, Sang Zan, random fluff with tiny crossover


Bon Appétit, Your Majesty
theemdash: (Writing)
[personal profile] theemdash posting in [community profile] getyourwordsout
If you're running around GYWO—whether you're a 2026 writer or just joining us for the Year-End Marathon—you've got a work in progress and we want to know about it. Comment to tell us a little about what you're working on (obviously only what you're comfortable sharing—please note this post is public), and read other comments to find out what everyone else is working on, too. If you find an idea you love, let that writer know you're excited about their work!

Kermit the Frog manically typing on a typewriter


What Are You Working On?
Answer the questions below and/or include a few other fun or unique things about your WIP that you want to share.
  • Fandom or original work?
  • Working or file title?
  • What's your pitch, your vibes, or a major component or trope driving your story?
  • What are you looking forward to the most (a specific scene/moment, writing a twist, being DONE)?

One last reminder that this post is public to allow our YEM-only writers to participate, too, so make sure you only share what you feel comfortable sharing publicly.
nnozomi: (Default)
[personal profile] nnozomi
While I’m thinking of it: December’s coming up and about time for me to think about sending New Year’s cards. You know the drill: if I haven’t sent you a card before and you’d like one, DM me with a name and address to send it to, likewise if your name/address/etc. has changed, or if you’d rather not get one this time around.

Silly language stuff: I realized the other day that I’d inadvertently done a Tom Swifty in the thing I was writing, along the lines of “he was making tea adroitly with one hand.” (Of course, it could have been his left hand! But still. I guess in that case he would have been making tea gauchely, or else sinisterly… .) Also, I keep seeing people refer to the well-known dictionary as “Miriam Webster,” and now I want to work a minor character with that name into a story somewhere, just for fun. I always liked the name Miriam.

While Y is not what I would call fannish per se, he is sort of fannish-aware thanks to a long history with manga, anime, and games, plus he looks tolerantly on my fandom-related hobbies (“oh, is it time for the Christmas transformative-creation event already again? good luck!”). He texted me the other day to say “there are two girls in archery-club gear sitting in front of me on the train canoodling like nobody’s business, pure yuri!”

Jiang Dunhao song of the post: 赫马佛洛狄忒斯, an enormous transliterated mouthful of a title that renders down to “Hermaphroditos” (nicknamed 小赫马 by fans). The lyrics, by the pseudonymous 沃特艾文儿 (“Whatever”), always strike me as really surprisingly queer for a mainstream Chinese song, when you put together 每个名词都分男女,标签贴给我也贴给你,可仍有人坚信不疑牵手同行就能做情侣 (all the nouns are divided between male and female, with labels stuck on me and you, but there are still people who never doubt that you can be a couple if you hold hands and journey together) and 愚人的眼光里才没彩虹悬挂天际 (it’s only the fools who can’t see the rainbow hanging in the sky) and 世界是个什么东西,是个巨大的柜子而已…容纳谁都容纳不了你 (what is the world, it’s just a giant closet…no matter who they enclose, they can’t enclose you) and 深知爱就该百无禁忌 (deeply knowing love means having to ignore all taboos) and 我爱你是你,只因你是你 (I love you being you, just because you’re you). All that aside, it’s also a just plain good song with an irresistible rhythm in the chorus.

In ongoing architectural exploration, we went to see another Vories building, the Osaka Church, which is very simple and very lovely, although I have to say if you’re going to have a rose window I want it to be stained glass, not plain. Planned down to the angle of every pew. Old-fashioned portative organ in very beautiful wood sitting next to a modern piano, plus a pipe organ up in the loft. The church is open to visits on condition that visitors attend a service first, so we sat through half an hour of a noonday service: organ music (a Messiaen piece and something from the Messiah, I forget which one, and one I didn’t know), hymn-singing, the Lord’s Prayer (having spent six months in my youth attending a CoE school for reasons, I found I could still back-translate from the archaic Japanese to the “hallowed be Thy name” version), and a short sermon by a young woman pastor, possibly Chinese or Korean from her first name and very faint accent, wearing an immaculate trouser suit. No proselytizing of the visitors, much appreciated; if I lived nearby I might even visit the services regularly for the organ and the windows.

Because I do some volunteering for the local YMCA (very long story), I spent a day as a volunteer interpreter for…how can I explain this succinctly…a group of professionals (social workers, pastors, farmers, teachers, etc. etc.) from various developing countries who are spending several months in Japan studying to become “rural leaders.” They were visiting the day laborers’ district here, with a tour in the morning and a lecture and discussion in the afternoon.
All of them speak some amount of English but very little Japanese (although they had all picked up “daijobu”), so interpreters were needed. There was me and a younger American woman and two older Japanese women, one a high-school English teacher and one a sometime tourist guide, as well as two adorable high school girls. My group for the morning tour was me and the former-guide lady and half a dozen of the rural leader students (from India, Indonesia, Zambia, Cameroon, Vietnam and I forget where else), as well as the Japanese tour leader; I ended up doing all the interpreting (I urged the other lady to jump in but she just said “oh I couldn’t possibly)," which was not bad because I already know the district and its history quite well (a friend wrote a book about it that I might translate some day).
For the lecture in the afternoon, five of us switched off interpreting: it was clear that the two high school girls could only get through with constant help and even so managed only a sketch of the original lecture, while the American girl and the older Japanese lady did okay but missed some of the nuances in each direction; to brag unrestrainedly, I think I was the clearest and the most stable and accurate of the five. And really I should be ashamed not to be, after all, being the closest to a professional among them (although interpretation and translation are very different).
I had fun—interpreting is always exhausting, but almost always exhilarating as well—and enjoyed getting to interact with the visiting students a little (a very serious woman from Vietnam with a series of complicated questions, a Cameroonian pastor with a long beard and shorts, and so on). I was also really annoyed (typical, I’m afraid) at the way the whole thing was run. Mostly the people in charge of the event just sort of sat there looking hopeful rather than doing anything useful, and the group discussion was particularly badly run (the discussion questions were TERRIBLE, and I signed on to be an interpreter, not a facilitator. Although I did get to explain to a doubtful Zambian guy just why the Japanese birth rate hasn’t gone up in sociopolitical terms, with an Indian lady cheering me on). Also, in theory I am absolutely in favor of giving high school kids a chance to try out interpreting, but if the participants are actually going to get anything out of the event, the interpreters have to have more or less professional-level skills even if they’re not getting paid even professional-level peanuts.)

Translation work can give you a lot of access to other people’s family privacy. I felt very bad for the little girl whose documents passed through my hands the other day, to the tune of her baby immunization record, second- and third-grade report cards (it’s always a little surreal to translate report-card comments like “She paid attention in class very well this year, but needs to work on forgetting fewer things”), and her parents’ divorce and custody agreement. Then there was another little girl of similar age, transferring from a prestigious private elementary school in Kyoto to a similar one in Tokyo, maybe a professor’s child subject to the whims of university employment. Also a family register in which the date of marriage preceded the first son’s date of birth by only six months, making me wonder as always where it actually fell on the range from 100% shotgun to “well, we’re getting married soon, why wait.”
One of the other issues with this kind of work is that young children in particular tend to have far-out names, and the clients usually don’t advise you how to pronounce them. Japanese is (I think) unique this way, in that a) the writing system is mostly not phonetic and b) while there are standard character readings, most characters have multiple standard readings plus you can basically decide to pronounce them any way that comes into your head, which is the way a lot of parents name their children, presumably without considering that the kids will have to spend their whole lives explaining how their names are pronounced and spelled (speaking from personal experience, albeit through a different process). So all you can do with names is take a wild guess. Place names are just as bad, since they are often distorted by long history into weird forms; I had hundreds of addresses to transl(iter)ate lately and had to look up almost every single one, just to be sure. I think the worst offender this time around was a place called 福谷, which could be Fukuya or Fukutani or Fukudani just in normal terms; in context it turned out to be Ukigai, God help me. Places like this constitute regional shibboleths of sorts; a couple more I’ve come across personally include 酒々井 and 柴島, where you just have to know how to read them or you’ll never guess.

Photos: Lots of seasonal fruits and leaves. Persimmons usually look much nicer than they taste, but we recently received bounty from my father-in-law’s kumquat bush and the fragrance is wonderful. Also the railway at sunset, and Kuro-chan the elder who noticed me passing by and stopped me with an imperious meow, in order to make use of me as a heating device usefully equipped with a mofu-mofu function (not a good picture, but my other hand was occupied).




Be safe and well.

James and the Commute Home

Nov. 28th, 2025 09:19 am
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[personal profile] james_davis_nicoll
Well, that was more close brushes with performing CPR than I consider ideal for a commute...

Read more... )

emotional support fiber

Nov. 28th, 2025 07:43 am
yhlee: Alto clef and whole note (middle C). (Default)
[personal profile] yhlee
woven cloth

Maybe 2.5x the length of the futon! The weft is various handspun yarns. :3 It has hideous Baby's First Floor Loom Attempt nature but fortunately, both Joe and the catten are very forgiving. Now I get to rewarp the loom... /o\



Morning's handspun single. :3
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[personal profile] penaltywaltz posting in [community profile] wipbigbang
(Posting on behalf of the author)

Project Title: A Bond Stronger Than a String
Fandom: Scum Villain
Link: https://archiveofourown.org/works/74876726
Summary: Shen Jiu wakes up able to see a red string on his finger and memories of many lives which ended horribly. Now he needs to decide how he will live this life.
Warnings: n/a
Characters: Shen Jiu | Original Shen QingqiuTianlang-junOriginal Luo BingheYue Qingyuan
Pairings: Shen Jiu | Original Shen Qingqiu/Tianlang-jun
When I Started: Mid 2024.
How I Lost My Shit: Lots I wanted in the story and kept thinking rather than writing.
How I Finished My Shit: Deadline helped me.

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