Books read, December
Jan. 7th, 2026 09:55 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
cyphomandraDecember was either gaming or Yuletiding. I did not read the Wells in December but I hadn't included them earlier, so here they are.
Libby Lawrence is good at pretending, Jodi McAlister
Looking for Alibrandi, Melina Marchetta
Behind Frenemy Lines, Zen Cho
Compulsory, Martha Wells (short story)
All Systems Red, Martha Wells
Artificial Condition, Martha Wells
Rapport: Friendship, Solidarity, Communion, Empathy, Martha Wells (short story)
Rogue protocol, Martha Wells
Exit strategy, Martha Wells
Home: Habitat, Range, Niche, Territory, Martha Wells (short story)
Network effect, Martha Wells
Fugitive telemetry, Martha Wells
System collapse, Martha Wells
Libby Lawrence is Good at Pretending, Jodi McAlister. Uni theatre YA/new adult romance; Libby sleeps with the overly charming director just before he disappears (but just after he embezzles the group’s money); she doesn’t want to tell her best friend, who has her own issues, or any of the other theatre kids, as although she’s always previously been on the outside with bit parts, the replacement director’s cast her as the lead in Much Ado About Nothing. Messy but fun; the best friend part feels underdeveloped but the theatre stuff is good.
Looking for Alibrandi, Melina Marchetta. I kept feeling that I should have read this before, because it’s such an Australian classic. Josephine Alibrandi, Italian-Australian, is in her final year as a scholarship student at an exclusive Catholic high school; she fights with her mother (who has raised her on her own, despite her family’s disapproval of her single motherhood), goes out with boys, explores her family history and finally meets her father; it’s vivid, believable, and excellently characterised (Josie is prickly and stubborn and appealing, and her growth throughout the novel is great). Also has lots of Sydney in it.
Behind Frenemy Lines, Zen Cho. Kriya Rajasekar associates Charles Goh with the worst moments in her legal career - flubbing an interview, losing cases etc - and is appalled to discover she’s going to have to share an office with him when her boss/mentor takes her with him to a new legal firm. Charles, meanwhile, is appalled to discover he’s been anyone’s nemesis, and is increasingly concerned at how Kriya’s mentor is treating her. I enjoy Cho’s het romcoms (this is in the same continuity as The Friend Zone Experiment) but I don’t love them. This does have some great moments and I particularly like Charles, who determinedly dresses up in cosplay for his best friend’s lesbian sports-anime themed wedding (she and her wife bonded over their love for the fictitious Duke of Badminton series, which made me snort in amusement as someone who very briefly read fanfic for Prince of Tennis) and then takes the Tube to the venue.
I read all of the extant Murderbot books and shorts in a wild binge. I like them but do not feel fannish at all about them, although I can see why other people do. I like Murderbot and the voice is fantastic, but I find the humans rather interchangeable and I don’t like ART, who becomes increasingly prominent as the books go on. I will probably re-read these again at some stage and see if that changes.
Libby Lawrence is good at pretending, Jodi McAlister
Looking for Alibrandi, Melina Marchetta
Behind Frenemy Lines, Zen Cho
Compulsory, Martha Wells (short story)
All Systems Red, Martha Wells
Artificial Condition, Martha Wells
Rapport: Friendship, Solidarity, Communion, Empathy, Martha Wells (short story)
Rogue protocol, Martha Wells
Exit strategy, Martha Wells
Home: Habitat, Range, Niche, Territory, Martha Wells (short story)
Network effect, Martha Wells
Fugitive telemetry, Martha Wells
System collapse, Martha Wells
Libby Lawrence is Good at Pretending, Jodi McAlister. Uni theatre YA/new adult romance; Libby sleeps with the overly charming director just before he disappears (but just after he embezzles the group’s money); she doesn’t want to tell her best friend, who has her own issues, or any of the other theatre kids, as although she’s always previously been on the outside with bit parts, the replacement director’s cast her as the lead in Much Ado About Nothing. Messy but fun; the best friend part feels underdeveloped but the theatre stuff is good.
Looking for Alibrandi, Melina Marchetta. I kept feeling that I should have read this before, because it’s such an Australian classic. Josephine Alibrandi, Italian-Australian, is in her final year as a scholarship student at an exclusive Catholic high school; she fights with her mother (who has raised her on her own, despite her family’s disapproval of her single motherhood), goes out with boys, explores her family history and finally meets her father; it’s vivid, believable, and excellently characterised (Josie is prickly and stubborn and appealing, and her growth throughout the novel is great). Also has lots of Sydney in it.
Behind Frenemy Lines, Zen Cho. Kriya Rajasekar associates Charles Goh with the worst moments in her legal career - flubbing an interview, losing cases etc - and is appalled to discover she’s going to have to share an office with him when her boss/mentor takes her with him to a new legal firm. Charles, meanwhile, is appalled to discover he’s been anyone’s nemesis, and is increasingly concerned at how Kriya’s mentor is treating her. I enjoy Cho’s het romcoms (this is in the same continuity as The Friend Zone Experiment) but I don’t love them. This does have some great moments and I particularly like Charles, who determinedly dresses up in cosplay for his best friend’s lesbian sports-anime themed wedding (she and her wife bonded over their love for the fictitious Duke of Badminton series, which made me snort in amusement as someone who very briefly read fanfic for Prince of Tennis) and then takes the Tube to the venue.
I read all of the extant Murderbot books and shorts in a wild binge. I like them but do not feel fannish at all about them, although I can see why other people do. I like Murderbot and the voice is fantastic, but I find the humans rather interchangeable and I don’t like ART, who becomes increasingly prominent as the books go on. I will probably re-read these again at some stage and see if that changes.
no subject
Date: 2026-01-07 03:57 am (UTC)I have not read this novel, but several people on my friendlist have, and that detail keeps making me think I should try it regardless of the romance, because that kind of unremembered importance is all too often treated as archetypally grimdark ("But for me, it was Tuesday") when it really does make a brilliant setup for screwball comedy.
no subject
Date: 2026-01-07 07:59 pm (UTC)no subject
Date: 2026-01-07 09:59 am (UTC)I adore Charles Goh, his narrating voice is a joy <3
Murderbot books and shorts ... I like them but do not feel fannish at all about them, although I can see why other people do.
I feel sort of the same. I think for me it might be the first-person? I _like_ Murderbot's voice very much, but it doesn't make me feel I could or want to write fic, etc.
no subject
Date: 2026-01-07 08:06 pm (UTC)Charles' narrative is great. I do not understand the Goodreads people who don't like it, I thought it was the best part of the book (I like Kriya too but part of me feels she actually needs some time to herself before plunging into another relationship).
no subject
Date: 2026-01-08 02:48 pm (UTC)