cyphomandra: fractured brooding landscape (Default)
2011-06-06 10:07 am

Failing to achieve target audience status

Two of the books my paranormal romance-mad friend lent me. I have more, but my basic summary for all of them is that they often have interesting world concepts and female leads, but tend to fall apart on plotting, follow-through, and having a male romantic lead that I do not want to stab with a fork.

Meljean Brook, The Iron Duke. In a nanotech steampunk AU Victorian (somehow, despite lack of royalty) England, Wilhemina Wentworth (Mina) holds a precarious existence as a detective inspector, resented due to her mixed blood and struggling to support her family. And then a frozen corpse is dropped from an airship onto the doorstep of the titular Iron Duke (Rhys Trahaern), and she is assigned to investigate a case that will threaten the very foundations of her society, etc etc, while in the meantime the Iron Duke has developed one of those "I stalk because I love" oppressive interests in her that is somehow perfectly healthy in this type of romance novel.

ExpandThe Iron Duke. )

The Native Star, MK Hobson. Emily Edwards is a backwater witch in an 1876 AU America with magic, whose livelihood is being wiped out by a more appealing mail-order patent magic business. In order to support her blind adoptive father, she casts a love spell on a local lumberman, only to have it go horribly wrong - but, before she can sort this out, the magically enslaved zombies who work the local mines rebel, and Emily ends up on the run with a supercilious big city warlock (Dreadnought Stanton) and a chunk of magical and exceedingly desirable rock embedded in her palm. Mutant racoons, diabolical villains, biomechanical helicopters, plots to end or save the world, and (of course) true romance ensue.

ExpandThe Native Star. )